Showing posts with label learn to read tarot. Show all posts
Showing posts with label learn to read tarot. Show all posts

Sunday, 15 September 2013

Interpretation of the Death Tarot Card = 13 by Lynda Stevens

Death (Tarot Card) - Number 13

The Death card in the Major Arcana corresponds to the number 13, as if to underscore its lurid reputation for the faint-hearted. James Bond-style movies must surely have a lot to answer for, where to receive this card during poker at high noon does tend to be followed by a nasty demise for its recipient!

This may be why the card has been given what appears to be euphemisms in some more recently published packs with names like "close" or "regeneration". The creator of this deck respects views such as these, but still believes the whole subject may better lose its sting only where it is exhumed into the light of day.

Astrologically, this card corresponds to the sign Scorpio, which does in fact "rule" the mysteries of birth, sex and death - all of which tend to be taboo subjects. The pumpkin in the top left panel is a reminder that the festival Halloween occurs while the sun - the life giver - is in this sign. This is precisely when the life force in nature appears to have departed, leaving behind only the dead leaves and the old shells, of which the pumpkin is one. The ghouls, ghosts and vampires which refuse to rest in peace as they should, perhaps to reflect the fear that nothing may ever come to take their place, and that these creatures themselves may fear that there is no other future for them beyond their vicarious twilight zone of unbeing. This is Death at its most gothic.

The Perennial Wisdom, however, has always perceived hope, while the angst of the years preceding the millennium has only recognised its absence. Spring then will always follow the encroaching winter, the awakening will follow the hibernation, the butterfly hatch from the pupa - shown in the top right panel. What may seem like death is really only the necessary prelude to the transformation that will follow, if only we have faith during the long wait in between.

This, in ordinary situations, may be a very difficult thing to do. The Grim Reaper's scythe may demand a total, clean sweep of things, but it is something from which many people will hold back. The spectre of the big death may well hide behind the fear of the small deaths everybody has to make in life, as they leave one stage of development for another.

In other words, Death is really about change, and the subsequent fear of it. The latter may be reflected in one individual's fear of leaving home, another's reluctance to discard the habits of a lifestyle they may have outgrown, or the mother who refuses to attend her daughter's wedding.

The rewards, however, are great whenever the individual does cut away the dead wood in their life. A move to a new location may indeed involve some sadness over the bonds that may be left behind, for example, but the conditions have been created for the individual to carve out a new and more satisfying future.

It should be obvious by now that Death takes that process of letting go further than does the Hanged Man. The Death card can have a powerfully purgative effect on an individual's life, ruthless stripping away those ties and beliefs which no longer serve any great use. For those who want radical change in their lives, the Death card is an enormously positive factor once its process is understood.

By Lynda Stevens
©2013 copyright ~All Rights Reserved 

Monday, 17 June 2013

Learn the meaning of Tarot Cards using the Soulscapes Tarot Online


You can read the traditional interpretations for the Tarot images by Michael Tsarion beside each of the images from the Soulscapes Tarot. Click on the image below and you will see all of the Major Arcana from the Tarot Deck.

The Soulscapes Tarot have just been published in April this year. A companion guide is currently being written and more details about this will be published in the Enlightening Times very soon.


Click ESOTERIC ART IMAGE To get your copy of the Soulscapes Tarot from the Esoteric Art Webstore!



Wednesday, 12 June 2013

Insights on Tarot Symbolism by Lynda Stevens 2013

 The Wheel of Fortune - 10


In traditional packs, the word "Tora" often appears on the wheel itself, which reversed means "rota" or"wheel", which in one way the Tarot actually is, another reason why the Fool has no number. The Fool may simultaneously be at the beginning or the end of his eternal round through the wheels of fate. Perhaps this is why the Wheel occurs exactly halfway through the sequence of the Major Arcana.

The biggest Wheel of Fortune of all actually consists of the zodiac with the planets moving against this backdrop. In this card, the four points of the Wheel are represented by the four fixed signs, the Scorpion or Serpent, the Lion, the Bull and the Man (or water bearer). These signs (which also appear in the biblical Revelation, in what has been described by some to depict the portentous passing of a Great Age - from Pisces to Aquarius - into another) describe a good combination of animal and bestial energies. In some packs, the whole Wheel is shown to be being set in motion by a monkey. There may well be certain good reasons for all of this, and this commentator will now attempt to pick out what seems to be the more relevant ones.

As a Great Circle, the zodiac is infinite, as once one cycle is completed, a new one begins. Yet, everything is still subject to change. The wheel may actually be derived from eastern philosophy, where the endless cycle of incarnation is called the illusory chain of being, Samsara. Progress and entropy, therefore, are equally part of the same cycle, reminding as that what goes up must come down, that a rich man may become a beggar, a fine civilisation give way to decadence and the seeds of its own downfall, and so on. The design for this card is partly inspired by a series of street posters that appeared in the late eighties depicting a large wheel. The street poster was there to encourage new members to join meditation classes to learn how to be more at the centre of the wheel rather than at its periphery, where it is easier to be enmeshed in trivial external events. The Buddhist aim, of course, may ultimately be to gain some sense of liberation from the entire wheel altogether, with its endless chain of progress and entropy.

The lust to discover the thread behind this never-ending chain of events, however, has impelled many a diviner to seek the foolproof key to lottery winning, that elusive congruence of cosmic factors, which may lead to the ultimate jackpot. The fact that no diviner has yet found a foolproof way to predict such things is perhaps an indication that this is simply not meant to be! The thrill of the gamble, however, certainly seems to draw certain individuals in a way which suggests that its pull must be almost numinous by nature: the desire, perhaps, to wrest away the secrets of Fate itself.

This is why the design for this card depicts a pinball image where  wheels really do exist within wheels: no-one's fate can ever be said to exist outside that of his or her associates, workplace or country.

The catastrophic cusp, further hints at the sheer unpredictability of fate, in which an initial triggering event - the straw that breaks the camel's back - may precipitate into motion ripples of cause and effect that may bring new variables into areas of life that lie far beyond their initial source.

Wherever it turns up in a spread, the card may well be counselling the querent to "go with the flow" as it were, to try and see which way the cat is going to jump. The Wheel of Fortune always augurs change, and requires a willingness to take risks. While an element of potluck is undeniably present, so are new opportunities that may promise a shift in fortunes generally. From what has been said all through the comments made on this card, however, an ability to stand back may be counselled, so that the querent is not unduly swayed by trivial and superficially upsetting events, like a cork in the ocean. The point is to become a skilled negotiator through the vicissitudes of fortune, rather than a blind victim.

This card was updated recently and is different from the version published by Adam Mc Clean in 2006.

The Devil - 15

The Devil card in the Chalice pack has attempted to be the backlash from Temperance's Promethean guilt or angst - everything a devil should be. Here, he is virtually a caricature with the eyes of Beelzebub, the horns of a beast, bat's wings, and a large, erect phallus.
Neither the chains nor the enslaved couple has been forgotten: these appear in the top left panel. The pentagram points downwards, symbolising the dominion of matter over spirit. The Devil corresponds to Saturn-ruled Capricorn - many commentators have suggested that it is no accident that "Saturn" and "Satan" have such a similar spelling. Saturn in astrology is frequently the bête noir for most people, the area of life where the individual is most likely to hold himself or herself back.

In the Old Testament the word "satan" originally meant "adversary". In the book, Satan's role is to challenge both God and Job, literally playing the Devil's Advocate by ruthlessly challenging the integrity of the most cherished beliefs they possess. When the chips are down, Satan demands - are you really the nice, good person you think you are?

Satan, rather like a moral tax collector, is hardly likely to gain brownie points for popularity in this incarnation. Yet without this testing, real self-knowledge may never be reached. The Devil may well appear in a spread where the querent is likely to face a similar challenge. Much like the board game Scruples, the Devil allows us to find out whether or not we really would read our boyfriend's diary, cheat at cards, or sleep with our best friend's lover. Naturally, many people balk at this self-knowledge. It can be more comfortable to find a scapegoat for all these nastier, personal qualities instead. This is what Jung called the problem of the "shadow", where the socially-conditioned ego disowns those qualities not in keeping with its own self-image.

This is what is meant by what some anthropologists call a "folk devil" and the rabid hatred engendered by them is unmistakable. Folk devils may include Jews, blacks, Communists, the unemployed; the list is endless. For this commentator, at least, another strong clue that this form of scapegoating is taking place is that the folk devil is said to be dirty, or to smell bad, perhaps possessing a rampant sexuality. The Chalice pack wished to draw attention to the Devil's more instinctual qualities. As shadow, he is also Master of the id.

The image of the Devil himself is said to be derived from the hornèd god Pan, himself a scapegoat of Christian totalitarianism. Those of a pagan persuasion may see in the Hornèd One a rehabilitated image of a sensitised male sexuality.

Before the process of rehabilitation is complete, however, it is worth remembering that the Devil is still capable of being the Prince of Lies. There are many individuals who rationalise life decisions made out of fear and bad faith rather than through authentic choice. These are the people who hold onto jobs or partners they dislike because on some level they have sold their souls to a less worthy goal, such as security. The Devil may then remind the querents that they themselves are their own worst gaolers, not the situation itself. "Better the devil you know", these individuals may cry.

In traditional packs, the word "Tora" often appears on the wheel itself, which reversed means "rota" or"wheel", which in one way the Tarot actually is, another reason why the Fool has no number. The Fool may simultaneously be at the beginning or the end of his eternal round through the wheels of fate. Perhaps this is why the Wheel occurs exactly halfway through the sequence of the Major Arcana.

The biggest Wheel of Fortune of all actually consists of the zodiac with the planets moving against this backdrop. In this card, the four points of the Wheel are represented by the four fixed signs, the Scorpion or Serpent, the Lion, the Bull and the Man (or water bearer). These signs (which also appear in the biblical Revelation, in what has been described by some to depict the portentous passing of a Great Age - from Pisces to Aquarius - into another) describe a good combination of animal and bestial energies. In some packs, the whole Wheel is shown to be being set in motion by a monkey. There may well be certain good reasons for all of this, and this commentator will now attempt to pick out what seems to be the more relevant ones.

 by Lynda Stevens 2013

© 2013 Enlightening Times All Rights Reserved

Sharpening the Edge: A Personal Experience by Miguel Marques

Sharpening the Edge: A Personal Experience

by Miguel Marques 2013


A few weeks ago, a challenge was issued at a Tarot forum. Take two cards and find a mission impossible to meet and the way in which we could accomplish it. I took the 4 of Swords and the 6 of Cups, and without knowing why, started on a ramble that ended with a very simple statement: “to unite heart and mind into a single being and use the orientations of my guides in order to achieve a state of No-Mind that would allow me to strike down the current blocks in my life”.

As I wrote this, I felt this to be a worthy challenge. But then it hit me. People in the whole world dedicate their entire lives in pursuit of something I proposed to achieve in a week. I cursed the life out of me for my recklessness, always a good sign when you’re engaging in self awareness.

Mack once wrote that we’re very good at doing the impossible when we don’t see it as such [1]. With that in mind, I started to plan the week ahead. My first card was Swords, so the goal would be Sword related. Balance, Fluidity, Sharpness. Cups was the path, so Nourishment and Emotions would be my way there. Soho stated that only a clear mind can lead the body into doing what needs to be done [2]. My first approach was then meditation and piano practice. If meditation seems clear enough, piano practice came as a need to compliment the No-Mind state and put it in use in a real situation. How? Try doing different things with each hand at the same time. Different movements. Different rhythms. Applying a different force in each and every moment. Now, try to keep it coherent. Fluid. Balanced. That’s piano playing.

Meditation didn’t seem to help, so I switched to the Twin Hearts Meditation [3] and continued with the piano, from which came my first breakthrough. I was now on the third day when I realized that fluidity is everything and any constrain we stumble upon should be addressed with confidence and dexterity.
This was put to the test at the gym: doing a different exercise plan every day, where I wouldn’t know what came next. The objective would be to focus on each exercise, each movement, and let everything else go. Not thinking about time, exhaustion and what came next led me into a state where only that moment counted. And all my strength had to be applied there. In that moment. In every moment. By not thinking, I was able to do exercises I thought I couldn’t do and in doing them, I was impressing on my body a new code: “Don’t worry. Don’t think. Just do it and do it well”.

My second breakthrough came from the Meditation. In the Twin Hearts Meditation, you open your heart and crown chakras to the Universe/Supreme Being/Whatever you want to put here. And a higher energy does come down, whether you want it or not. If you’re searching for something, this energy will present itself in the form of a key. In my case, it came in the form of a sword. A bright sword capable of slashing every block I had built around me. I had asked for orientation, and I received a weapon. A flood of information entered my mind and reality came tumbling down.

Or so it seemed at the time.

Moore’s words about how swords are used to cut things down [4] with Soho’s words about putting your life behind the sword [2]. Inoue on how praying opens up a channel to the gods [5] alongside Mack’s view of praying as a form of talking to oneself [6]. How every goal we set for ourselves in unobtainable and we just move from one level to the next level, never once reaching the top of the mountain [5]. Morrison’s illustration of identity and non-identity; about is and isn’t [7]. Images kept pouring into my mind from all angles.

And then it stopped.

Ever since I know myself that I love comics.  I’ve been reading them for almost 30 years now and I’ve learned a great deal from them. I’ve learned about philosophy and art; reality and imagination. I’ve found references that put me on the path I am today. And if I’m the tarot reader that I am today, I owe it to them. For fuelling my imagination with every kind of image and training me into putting pictures together and filling in the blank spaces between two images with my intuition and my imagination. It seemed only fitting that my understanding would come from such a venue.

Realization came: there are no blocks. Only restrictions we put upon ourselves. Something I intimately knew for a very long time, before I let the outer world erase it from my mind.

Realization came and everyone of us is a god. Or maybe a shadow of a god that somehow forgot its power. Something we all can learn by connecting with our higher selves.
Fool from the Soulscapes Tarot

Realization came, and suddenly, the book of stories known as the Tarot was seen as the Minor Arcana, with the Major Arcana playing the part of a deux ex machina.

Realization came by a stroke of a sword.

Life has now resumed its pace. My friends say I have a new attitude this last few weeks. I became more focused and less preoccupied. As if nothing had importance except this very instant. People seem closer and more receptive than before. A new story has begun. One that starts with “once upon a time there was a Fool that believed anything was possible…”

© 2013 Enlightening Times All Rights Reserved


[1] David Mack, Kabuki: The Alchemy, Marvel Comics, 2009
[2] Takuan Soho, The Unfettered Mind, Shamballa Inc, 2012
[3] http://meditationontwinheartslive.com, as accessed on the 7th June 2013
[4] Alan Moore, J. H. Williams III, Promethea: Book 1, Wildstorm, 2001
[5] Takehiko Inoue, Vagabond VIZBIG Edition 11, Viz, 2012
[6] David Mack, Kabuki: Metamorphosis, Image Comics, 2001

[7] Grant Morrison, Phil Jimenez, The Invisibles Vol. 4: Bloody Hell in America, Vertigo/DC Comics, 1998